It Follows (2014)

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It Follows (2014)

(spoilers)

It Follows is an incredibly unique horror movie that almost never does what you expect it to do and constantly challenges and surprises you. It is slow but scary, beautifully filmed and plays with genre conventions while still following the traditions of classic horror movies. That it accomplishes both is impressive all by itself. It is simply amazing to me that this small movie manages to get everything right, astounding cinematography (almost every shot could be framed, not unlike the amazing work of Gregory Crewdson), a fitting score, great performances and a compelling story that is just ambiguous enough to neither be frustrating nor too expository. I also love the unspecified setting, its mix of futuristic and 80s-nostalgia tones. It is a horror masterpiece for which you have to be ready because it’s dreamlike atmosphere is not for everyone. But it’s really, really good. It’s one of those debut movies where you feel every second that someone put all their efforts and passion into making exactly the movie they wanted to make, which turns out to be a great movie.

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Kriegerin (2012)

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Kriegerin (2012)

(some minor spoilers)

Kriegerin (Combat Girls, which is a stupid English title as Warrior would work perfectly) is a relentless portrait of two young women who end up in a neo-Nazi organization simply because society doesn’t offer them anything else. It is a very effective movie that doesn’t shy away from anything, making it hard to watch at times. It also doesn’t simply paint people as bad or evil, but mostly as lost, which I will get into in a second. The movie takes its subjects seriously and doesn’t really judge them, it observes, mostly. Marisa, the main and basically title character, is played by Alina Levshin in an amazingly strong performance. I’m unsure if the plot always works and if the off-screen narration at the beginning and end are really necessary (especially the last lines made me cringe a little). The in medias res opening also added a hopelessness that I’m not sure the movie really needed. But this is nit-picking, overall the film is very well directed by David Wnendt and presents a subject matter that is not talked about enough, at least not from this point of view.

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Trespass (2011)

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Trespass (2011)

(spoilers ahead)

Trespass is a movie you can only call ludicrous. It starts out like a standard home invasion thriller and then somehow never gets anywhere. Basically every minute of this movie feels like it could be anywhere, making it hard to remember any chronology of the movie. Some gangsters enter the house of a family (Nicolas Cage and Nicole Kidman) to get something and it goes back and forth forever without anything actually happening. There is a lot of threatening and gun waving and lots and lots of shouting, but for most of the time this group stays in the same room to argue. At first it is an okay movie, but it becomes annoying and boring pretty fast. It’s good not to think of the talent involved in this, not about Joel Schumacher, Kidman and even Cage. The basic problem is probably the screenplay, because it is so full of twists and turns and doesn’t notice that this stops being exciting at some point. Watching this movie, it's no surprise to read about its problematic production, in which Cage decided to switch roles between being the hero and a villain for a while.

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Marie Antoinette (2006)

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Marie Antoinette (2006)

Marie Antoinette is a truly divisive film that seems to make people angry easily, despite being rather soft and mild-mannered. The problem is that people expected the movie to be political, or to be more precise, to be critical of aristocracy to make the French Revolution more understandable. But that’s not what the movie provides. I think does provide something else and is political (I know, I’m not alone in that), so you shouldn’t blame it for what it isn’t. But the film is very well-made by Sofia Coppola, very determined and precise. It shows the story from the point of view of its protagonist (played very well by Kirsten Dunst) and I don’t see a fault in that. If a young girl becomes Queen of France, where’s the problem in showing how a teenager deals with that? And unlike many critics, I didn’t find the movie dull but really interesting.

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Looking for Easy Answers in the Marysville Pilchuck High School Shooting

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Looking for Easy Answers in the Marysville Pilchuck High School Shooting

I’m always fascinated (not in a positive way) by school shootings, not so much because of gun control issues (that’s a given, I guess), but because I can’t help but wonder how terrible living in our culture one must feel to decide to kill others. Especially young people. You can’t explain it away with psychological disorders or video games because it happens too often and the perpetrators are too different to allow simple categorization. All of them have one thing in common (and this includes people who have been doing this decades ago), they live in this society, in this culture. The 14-year-old boy who started shooting in the school cafeteria in Washington on Friday is no different. He is different from other shooters and I wonder if that’s a reason that this shooting is not as publicized in the media as others.

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