You Belong on the Radio - UK Music Charts (2)

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You Belong on the Radio - UK Music Charts (2)

I haven’t discussed new music since November and I’ve only looked at the British music charts once, all the way back in August 2014, so it’s time to do both again as these songs seem ripe to be analyzed. Let’s listen to some fresh tunes then, shall we?

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You Belong on the Radio - German Music Charts (3)

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You Belong on the Radio - German Music Charts (3)

I don’t know how I slipped into a weekly (instead of my intended bi-daily one) routine, but that’s what the holidays sometimes do. Anyway, before I linger more and contemplate what to write about, here’s some songs from the German charts again, because that always works.

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You Belong on the Radio - Indie Edition

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You Belong on the Radio - Indie Edition

This should be called You Don’t Belong on the Radio.

It’s time for songs again, but I wanted to shake things up a little again and not just complain about the terrible mainstream, but take a look what you find outside it. This definition is fishy since “indie music” is not as not-mainstream as it used to be, but still, music that not necessarily only strives to make money and get into the charts is often very different. Almost needless to say, this is mostly the  kind of music I’m listening to. One thing you’ll notice is that the lyrics often are much less clear to interpret. As a resource I used the site CampusCharts, which always has a good mix of new indie songs that people can vote on. The charts are from the week 16 of 2015.

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You Belong on the Radio - 1973 Edition [1973 Week]

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You Belong on the Radio - 1973 Edition [1973 Week]

I noticed that looking at older songs is somewhat more interesting than current songs. The problem with current songs is that it is hard to find anything new to say, since most of them talk about the same things in the same way. Which is something I also notice when I look at songs from a particular year, like 1973, but that helps getting an idea for the feel of that time. Anyway, this time I was really struck how similar the themes found in the songs are and how well they fit into that period (and also fit to everything else I am looking at for this theme week). Let’s go!

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You Belong on the Radio - 2012 Edition [2012 Week]

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You Belong on the Radio - 2012 Edition [2012 Week]

Just like last theme week, I decided to look at the popular songs of this year to see what they’re telling us. I’m assuming the songs from two years ago don’t sound so different than the songs nowadays, but I’m still interested to see what we find in those songs. For this I’m using the lists of number one songs and top 10 songs from Germany, the US and UK, which again overlap a lot.

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You Belong on the Radio - German Music Charts (2)

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You Belong on the Radio - German Music Charts (2)

So, it’s time for the charts again and also time to look at Germany again, just like in the beginning. Which was over two months ago, but I still have to search for new songs now. But there are enough, so let’s get started!

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You Belong on the Radio - U.K. Music Charts

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You Belong on the Radio - U.K. Music Charts

These posts seem to be popular, so let’s finish up the Big Three with looking at the U.K. Singles Charts. Though, looking at all three now, I see that the difference between them is not as big as it once was, since there are many repeats. I remember a time when the U.K. charts was full of hip new indie bands. Yes, I'm old.So maybe we have to shake things up a little next time…

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You Belong on the Radio - German Music Charts

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You Belong on the Radio - German Music Charts

Inspired by someone‘s suggestion (you know who you are, constant reader) and following something I did many years ago, I decided to start a new series about music. Here’s the plan: I look at the music charts to see what the most popular songs are actually telling us. Most people can sing along the lyrics without ever thinking about them. If you do that, sometimes you discover interesting, disturbing or surprising issues. Today I look at the top 10 of the German single charts but only pick the songs where I find something worth writing about. Whatever I write about the songs does not necessarily say anything about whether I like them, so no one should feel offended. I don’t know what will happen, but that’s part of the appeal!

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