Against the Binary
/It's not just Harvey.
Read MoreTrying to change the world, one movie at a time (and other things)
Trying to save the world, one movie at a time (and other things)
When a blockbuster superhero action movie is more than a blockbuster superhero action movie
Read MoreI haven’t discussed new music since November and I’ve only looked at the British music charts once, all the way back in August 2014, so it’s time to do both again as these songs seem ripe to be analyzed. Let’s listen to some fresh tunes then, shall we?
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Ex Machina fulfills the expectations I had after reading and hearing so much about it in the last couple of months. It continues Alex Garland’s streak of writing thought-provoking stories that challenge common perceptions we have about ourselves and our society. The movie uses amazing performances (Isaac, Vikander and Gleeson are all excellent), impressive visual effects and its gorgeous locations to generate a very effective movie that is intriguing from beginning to end. Just when you think it becomes too conventional it takes an extra turn at the end to become even more than we thought. It might not be an absolutely amazing movie (it’s not Looper), but it nevertheless is very good.
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Joy is simply and shortly disappointing. It’s always a problem if you have really high expectations for a movie, any movie, but how could you not with these names attached? With two movies as great as Silver Linings Playbook and American Hustle preceding them? But Joy never lives up to those energetic miracles and it’s hard to pin down what its problem is. It is incoherent in its mood, its message, its style. It wants too much and doesn’t know what it wants at the same time. Jennifer Lawrence is as amazing as she can be and even in bad movies I’d never get tired of watching her act. But this movie doesn’t work and it’s worse as failed potential than as an actual movie. Some of the acting by some actors is cringeworthy, the whole soap opera framing device is as dysfunctional as it is suddenly discarded and the structure of the script never achieves any kind of flow that this movie needs. The narration seems off, the ending is frustrating and Bradley Cooper’s role almost not necessary. Despite all of these (and many other) flaws, the movie is a collection of good parts that never add up. It’s one of the worst kinds of movies, the well-intended, ambitious mess that is worse because it could have been so good.
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Star Wars: The Force Awakens is a really good movie. It has enough nostalgia to keep everyone happy who knows the world enough to enjoy it but delivers many new ideas to hold newcomers’ attention too. Especially the first half is extremely entertaining and well-written and while the movie slags a little bit (just a little) in its second half, it still never gets boring for a second. I was really impressed by the acting, especially the two new leads, Daisy Ridley and John Boyega, while I’m still not so sure about Adam Driver as Kylo Ren. There was at least one amazing long take that made me want to cheer along with Finn (Boyega) and overall J.J. Abrams’ directing was more than solid. I’m probably the most in love with John Williams’ score which is simply beautiful. I can’t really say anything bad about the movie. It’s endearing and enjoyable and fun while also being tragic. Coming out of the theater, I felt like watching it again, which doesn’t happen so often.
Read MoreExploring new grounds. I have wondered many times why I don’t write about TV shows since I watch quite a lot of them and some people actually asked me about it. Today, this will change because a) I really want to write about this show and b) there is no movie right now I want to write about. So, Jessica Jones it is. I’ve watched the first three episodes and thought I write about each 3-4 episodes as I continue. Needless to say, up to now I think it’s a very good show and I recommend everyone to watch it too. Besides, this review/analysis will obviously include spoilers, so unless you don’t plan on ever watching it, stop reading.
Read MoreSo, I watched 15 movies for this theme week and write about two of them separately. What about the 13 others? Will they just vanish and be forgotten? I decided to write one article about all of them instead and focus on different aspects. After I was done, it was too much for one article, so I decided to split it in two articles.
Read MoreMad Max: Fury Road is such a force of a movie, it’s hard to not be blown away completely by it. It’s a movie I didn’t really have on my radar until the reviews came in and I had to go and see for myself. So, my expectations were high, but I didn’t really expect to be this amazed, this enchanted, this astonished by a movie like that. The acting is amazing as Charlize Theron and Tom Hardy have their roles down to perfection. The direction by (70-year-old!) George Miller is so flawless and confident, it should bring most other directors to shame. The screenplay is a brilliant mix of pathos and feminist propaganda. The production design, make-up, hair, costumes, the whole world that is created here in intricate detail is worth the ticket alone. I could go on and on about the breathtaking cinematography (72-year-old John Seale!), the relentless score, the brutal editing, the great mix of practical and computer effects, the action, the perfectly planted tiny bits of humor. This movie just has it all. I don’t know if you’ll like this movie, if you’re not really into dystopias or stunts, but I’d assure you that you’d still find enough to at least enjoy parts of it, because even if the movie is basically four giant action set pieces tied together, it still has more heart and brain than most movies coming out all year. It is a miracle it even got made by a major studio. This is an early contender for one of the best films I’ve seen this year.
Read MoreAvengers: Age of Ultron is basically what you want it to be: an entertaining movie based on comic books that has exciting action and fun Joss Whedon dialogue. The movie delivers on all those promises and that’s enough for an enjoyable comic book movie for me. It doesn’t go that extra step that Guardians of the Galaxy went, but on the other hand it has a much more fascinating villain and a more coherent plot overall. The character interactions are fun and this, unlike the first movie, every character gets enough opportunities to shine. It is amazing to see how many actors these movies are able to gather. It’s hard for me to tell how much fun such a movie is without having the background knowledge of the comics, but as a comic reader it is hard to deny how much fun it is to see those characters come alive and do their thing. Not everything makes complete sense and, just to be clear, this is no masterpiece of moviemaking (despite some great shots). It’s a fun movie, a million times better than the dreadful Man of Steel, proving (likes Guardians) that comic book movies are not all alike. It was mostly what I wanted it to be.
Read MoreThe Interview is… annoying? It’s the only word I can think of. It’s a comedy that throws everything at the screen it can think of, any joke, no matter how high or low it aims, they just thrust it all out and see what sticks. Not much does, if you ask me, but that doesn’t really matter I guess. It’s not a secret by now that this movie is not worth all the controversy it caused. Its humor and tone is so all over the place that there is not much room for satire or any deep thought. And the movie honestly doesn’t care either, which might be in its favor. I found it, well, annoying, because it’s very long, not many jokes are funny and the direction is lazy. Seth Rogen does his Seth Rogen thing, which is somewhat entertaining for a while but not forever. James Franco… I don’t what to say. I think he is the worst part of the movie as his grimacing and overacting is simply mind-boggling. It is impossible to feel any sympathy for him, but the movie wants us to like him, which is hard if it’s tough just watching him talk.
Read MoreCatwoman is stunning in its badness. I had low expectations, but I didn’t expect just how bad it really was. The movie defies anything you expect from a comic book adaptation or a superhero movie or a movie with a female protagonist. It does everything wrong, looks cheap and amateurish, has a terrible script, some of the worst CGI, an annoying soundtrack and bad (over)acting. This is really, really bad, though enjoyable in its failure because you can’t stop being amazed that they this or that way.
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The Wicker Man is one of those notorious movies where it’s hard not to stumble upon YouTube clips before you’ve actually seen it. It stars Nicolas Cage and probably marks the movie that started his downward spiral during which he became known for making crappy movies and overacting wildly in them. The Wicker Man somehow qualifies for both as he acts sleepily for most of the movie before going completely over the top in the end. Is the movie crappy? That is so hard to say, at least for me. I know it is heralded as one of the most unintentionally funny movies ever and I can see that. There are definitely enough scenes that can make you laugh because they are so weird. But the director is Neil LaBute who is normally a very deliberate writer and director of thought-provoking movies that never make it easy for the viewer to make easy judgments. I have read his plays in school and really liked some of his movies (The Shape of Things, Nurse Betty). So what happened here? Cage said in interviews that they intended to make an absurd comedy but the movie does not make that clear enough. LaBute is also known for challenging gender roles and The Wicker Man is full of that. But what is the movie trying to say?
Read MoreA blog about saving the world by looking at movies, music, comics, books, school and anything else connected to society.
Who is this?
David Turgay, teacher and writer from Germany, writing about things he thinks about too much, mostly movies, comics, books and school. And now this podcast.