Future Template: Snowpiercer (2013)

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Future Template: Snowpiercer (2013)

In Future Template I want to look at stories that depict our future and analyze the pattern that most of them follow and what this tells us about our culture.

(spoilers ahead)

Snowpiercer is a fascinating and breathtaking science-fiction movie that has an intriguing premise which is explored to the fullest. The movie works so well because you feel how the filmmakers really dig into their idea, which makes the movie very rewarding since you never know what to expect next. From the outside it looks like some B-movie but the production values are excellent as the cinematography and the visual effects really work well. The acting is great, too, all the way through. Chris Evans might be at his best here, Tilda Swinton is just amazing, Ah-sung Ko is really good too and besides all the other great people here, Ed Harris and Alison Pill have short but very striking moments too. This is a fun, clever and exciting movie.

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Here's My Future (2)

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Here's My Future (2)

In Here’s My Future I’m talking about my transfer from a traditional school after seven years to an integrated, more alternative school and all the changes that this change brings for my profession.

I’m sitting at my school right now, as the minutes tick down to my grandiose, silly goodbye ceremony that I agreed upon for some obscure need for closure. It’s the kind of thing I tend to hate (and used to skip in the past), in part done by people I’m happy to never see again. But this is the end, my friend, and for some reason I feel like going through with it until it’s over. But it’s also the beginning.

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The Surface Is a Warm Blanket

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The Surface Is a Warm Blanket

I made the stupid mistake of taking all the exams I had written in my classes into the holidays for correcting. Normally, I try to get them done as fast as possible and to not take too much with me in the holidays, but this time there was just no other way. Getting through those four piles of exams, I couldn’t help but notice some patterns and have some thoughts that are partially troubling to me. Here they are.

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Irréversible (2002)

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Irréversible (2002)

Irréversible is a movie that hits you over the head like a, well, I guess I have to say it, like a fire extinguisher. I read all about this movie when it came out 13 years ago and always was too afraid to watch it, but now I finally did (thanks for the push, Lara) and I don’t regret it for a second. It is strange for a movie that has such a strong impact on me and made me think about so many things for days, to not give it a higher rating, but it is a good movie with some, let’s not call them flaws, but issues. The structure is so much more than a gimmick and puts a new perspective on a wide range of concepts, the camerawork is daring and challenging, but awesome, the use of (seemingly) long takes is essential to the effect it has on the viewer, the music is extreme and beautiful, the acting is phenomenal. The movie is haunting, shocking, confusing, thought-provoking, troubling, unbearable and addictive at the same time and above all very intense. It might be the most intense movie I’ve ever seen (pushing Requiem for a Dream of its throne). It is hard to recommend it because it is so obviously not for everyone, but if you are ready for it, it will be strangely rewarding.

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Mad Max: Fury Road (2015)

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Mad Max: Fury Road (2015)

Mad Max: Fury Road is such a force of a movie, it’s hard to not be blown away completely by it. It’s a movie I didn’t really have on my radar until the reviews came in and I had to go and see for myself. So, my expectations were high, but I didn’t really expect to be this amazed, this enchanted, this astonished by a movie like that. The acting is amazing as Charlize Theron and Tom Hardy have their roles down to perfection. The direction by (70-year-old!) George Miller is so flawless and confident, it should bring most other directors to shame. The screenplay is a brilliant mix of pathos and feminist propaganda. The production design, make-up, hair, costumes, the whole world that is created here in intricate detail is worth the ticket alone. I could go on and on about the breathtaking cinematography (72-year-old John Seale!), the relentless score, the brutal editing, the great mix of practical and computer effects, the action, the perfectly planted tiny bits of humor. This movie just has it all. I don’t know if you’ll like this movie, if you’re not really into dystopias or stunts, but I’d assure you that you’d still find enough to at least enjoy parts of it, because even if the movie is basically four giant action set pieces tied together, it still has more heart and brain than most movies coming out all year. It is a miracle it even got made by a major studio. This is an early contender for one of the best films I’ve seen this year.

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Notes on a Scandal (2006)

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Notes on a Scandal (2006)

Notes on a Scandal is fascinating right from the start. I had the big fortune of not knowing what the movie was about at all. In fact, I was under the impression I was watching Veronica Guerin and was waiting for Cate Blanchett to become involved in politics and spies. This way, the movie surprised me several times because if you really have no clue, you don’t expect many things that happen. The main drive comes from the incredible performances by Judi Dench and Cate Blanchett who are really as good as any review says. In a way, it doesn’t matter what they are talking about because they inhabit their characters so perfectly that anything they do would be interesting to watch. The direction by Richard Eyre is also excellent and Philip Glass’ score is breathtaking (again). It is a captivating movie that forces you to keep watching the disaster unfolding.

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Jonas (2011)

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Jonas (2011)

(no real spoilers)

Jonas is an unusual and unique movie that is hard to categorize. It is a German movie, first of all (which I have been trying to catch up with a little bit more), but it only features one real actor in a mixture of fiction and non-fiction. Christian Ulmen is put into a real situation, acting as a student in a school, surrounded by real students and teachers and seeing what happens. To me, it mostly worked because of the fascination with his character and how much you can learn about school from it. Still, the problem is that the movie never really lets you know how much is orchestrated and how much is spontaneous. Maybe it doesn’t matter, but there is an uncanny feeling that remains. Still, Ulmen’s acting is really amazing, especially since he does not turn it into a caricature (apart from the silly love story which is not really working).

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Akira (1988) [1988 Week]

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Akira (1988) [1988 Week]

(spoilers ahead)

Akira is one of the most visually stunning movies I’ve ever seen. I didn’t get everything about the plot, but I mostly didn’t mind because the images were so impressive and amazing that every frame is worth admiring. It’s also a fearless movie, willing to go any place it wants to go, no matter if it’s violent or nightmarish or apocalyptic or sleazy. Again, I’m not sure about the story exactly but the movie is never boring and always astonishes you with a new set piece. Its world is complete, so fully fleshed out, that it is very easy to fall into it. Sometimes you don’t know exactly why the characters are acting the way the do, but you don’t care as long as you can follow them through this world of Neo Tokyo, with its fascination for technology and brain power. It is no surprise to see Akira was very influential for many filmmakers. It’s impossible to watch this now and not think of The Matrix, to name just one. It is simply an impressive movie.

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