Army of the Dead (2021)
/Cue Rock Cover of Classic Song
Read MoreTrying to change the world, one movie at a time (and other things)
Trying to save the world, one movie at a time (and other things)
(some spoilers ahead, but nothing major)
Lawrence of Arabia came up as another random 60s movie and of course it’s also one the big classics that I had not seen yet. I know many old movies but still admit that I can get impatient quickly because, well, they’re old and often slow. And I grew impatient in the first 30-50 minutes because I found it slow and the movie is three hours long, so I was scared! But somehow the movie managed to turn around for me and got me more than I expected. It’s a weird movie or maybe just a weird main character but still an intriguing one. Peter O’Toole is great and I was really impressed with the set design and camera work. You have to be impressed seeing all those amazing shots, towns and masses of people and realizing this was long before the convenience of CGI. I think, it’s worth for these moments alone. The work that director David Lean has put into the movie is very visible. It is a good movie if you have the patience. I didn’t really get much of a 60s vibe from the movie, though. Maybe it’s a bit darker than I expected, especially the second half went down some surprising roads, but I didn’t see too much of the typical zeitgeist. Then again, the movie and O’Toole didn’t shy away from portraying Lawrence as clearly homosexual (Lean thought he was although experts say it’s not clear).
Read MoreAfter my 70s movie didn’t give me anything I wanted to write about (Mean Streets), I got to an 80s movie. I find it much easier to talk about the 60s and 70s, for one thing because they seem more special to me, but also because I find it harder to grasp the 80s, to get a feel for them. Maybe also because I was born in 1980 and it’s harder to view a decade if you’ve actually been there. Distance certainly helps. Anyway, the 80s to me are somewhat the antithesis of the 60s and 70s, which were a time where real change was possible, while the 80s felt like taking two steps back. But instead of the conservatism of the 50s, the 80s were governed by extreme capitalism and a superficiality that is often mocked but still true. Even if it’s an overgeneralization (as it must be if you try to summarize 10 years in history in a few keywords), there’s a reason why MTV, hairstyles and silly pop music are representative for this era.
Read More(spoilers ahead, even if the movie only has few surprises, since the title tells you most of it, but I will discuss almost every scene of it)
12 Years a Slave is an extremely powerful movie. It doesn’t let you off the hook in showing you what slavery was like. And you have to keep in mind that the protagonist, Solomon Northup (Chiwetel Ejiofor) was probably better off than the average slave. He had some opportunities because of his education and he didn’t die as a slave. But despite that relatively narrow focus, the movie manages to give a realistic portrayal of slavery. I found the film very impressive, especially the way it was directed by Steve McQueen. I had seen Shame and was impressed by it too but I didn’t feel an emotional connection to it. 12 Years a Slave goes straight to the heart by its sheer force of filmmaking and I appreciate that a lot. Every aspect of the movie – the acting, the music, the script, the cinematography, the editing, the production and costume design, the sound design – is not just a showcase for talent but actually increases the emotional impact of the movie.
Read More(spoilers ahead!)
There is not that much to say about Miami Vice as a movie except that I found it pretty disappointing. I’m confused by the critical acclaim it got but then again, it seems like a movie that is more or less forgotten by now and that I understand. It’s a bit of a mess, a plot that’s hard to understand but in which also nothing really happens most of the time. The movie on the one hand appears so gritty and realistic but then on the other hand relies on big romantic love and sex scenes that totally feel out of place. I didn’t feel a lot for the characters either. I like both Colin Farrell and Jamie Foxx but they were so damn serious all the time that I found it hard to care about them. And why is Justin Theroux in this movie? He has about two lines of dialogue and his face is obscured most of the time. He could have been an extra and it wouldn’t have made a difference. The whole opening sequence was great, though, it felt like the movie was trying something different, there was an interesting mood going on and John Hawkes is just brilliant. But after his death (so after about 15 minutes) the movie quickly deteriorated into long talks between people who didn’t trust each other, dance scenes, racing boat scenes, container boat scenes, plane scenes and a confusing shoot-out finale. And one of the most pointless final shots I can remember. It’s hard not to compare this to Michael Mann’s Heat and not feel sad. (This article seems to explain why the movie is such a mess.)
Read MoreWithin my project to watch any movie I’ve missed in the last 7 years (since I've become a teacher and time has become increasingly shorter), I started a new project for myself. Watching a random movie from a certain decade, that I haven’t seen yet, to see how far it represents its time. We start with my favourite decade: the 60s.
Read MoreI like to listen to podcasts on my way to work and one of them is “How Did This Get Made” which deals with bad movies. I like bad movies, either because they are funny or because there is a big fascination with, well, how they got made and ended up so bad. The podcast is often funny, so I don’t want to miss out and slowly watch all the bad movies they talk about. Which is a bit masochistic I guess.
Read MoreA blog about saving the world by looking at movies, music, comics, books, school and anything else connected to society.
Who is this?
David Turgay, teacher and writer from Germany, writing about things he thinks about too much, mostly movies, comics, books and school. And now this podcast.