Southpaw (2015)

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Southpaw (2015)

Southpaw is an utterly conventional and manipulative movie that is only saved one of Jake Gyllenhaal’s most unique (and best) performances as the boxer Billy Hope. Gyllenhaal is not just good, he creates a character unlike anything we’ve seen before. Hope is so different and ambiguous. We cannot entirely figure him out, but that is part of his appeal. If you have seen the trailer, you basically know everything about the movie’s standard plot. There are no surprises and the emotions asked of you are a high form of manipulation. Sure, on some level it still works (daddy-daughter dramas always get me), but I can still criticize the movie’s laziness. The script by Kurt Sutter is a mess, leaving many plotlines unresolved and instead relying on us knowing how these stories go. Aside from some questionable shots, Antoine Fuqua’s direction is well done, especially the boxing scenes. I would recommend the movie only for Gyllenhaal’s performance, although it is strangely effective if you turn off your brain.

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This 80s Movie: At Close Range (1986)

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This 80s Movie: At Close Range (1986)

At Close Range is a strangely conventional film made in an unconventional way and suffering at bit from its 80s heritage. It stars a young Sean Penn following his father’s criminal life for a while before moving away from it again. It both feels like an indie movie and a Brat Pack movie at the same time, due to its unusual filmmaking choices and the cast of young actors that were or would become famous. It is a bit long and not very exciting most of the time, but it has a certain appeal that gets stronger as the movie progresses. It doesn’t feel like a typical crime movie, more like a meditation exercise, many scenes of people staring and being silent, but it’s not necessarily boring. It is not a bad movie at all, even if I make it sound this way, it’s well filmed with an interesting use of light and shadows. I didn’t like the overly tropy opening scene, in which we learn just how cool of a character Sean Penn is and how fast the right girl falls for him. But it gets much better after that, apart from the ending (see below). The music is as 80s-synthie-bad as possible, though. The way it switches between fascinating and contrived is very symptomatic for James Foley’s future career as a director (who would follow this movie with the Madonna-vehicle Who's That Girl? and some years later would direct the classic Glengarry Glen Ross).

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Our Life Is a Movie: Se7en (1995)

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Our Life Is a Movie: Se7en (1995)

(spoilers)

When I saw Se7en for the first time in a theatre in the fall of 1995, it was a revelation for me. The opening credits, the atmosphere, the structure, the acting, David Fincher’s brilliant direction and above all the twist ending took me by surprise and somehow showed me what movies can do. I watched it again in the theatre just a week later, because I had to experience it again as soon as possible. It was also responsible for me going regularly to the theatre after that, starting a long stretch of cinema visits that cemented my initial childhood love for movies far into adulthood. In that aspect, Se7en is of great importance to me personally, a huge influence for my movie-watching capabilities. I have seen it so many times over the years (I once watched each of its seven days on separate days) and when I watched it with a class for the first time this January, I loved it just as much and saw also clearly what it means for my world view and why I still consider it an important movie when talking about our culture. I won’t explain any plot details, I’ll just assume that you know the movie and if you don’t, go and watch it.

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You Belong on the Radio: Music Video Edition (1)

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You Belong on the Radio: Music Video Edition (1)

I know the last time on this series, I basically promised to try something else. My thought was to look at charts from different continents to get a more diverse view on what happens culturally outside of “Western civilization.” But the problem is that you either don’t get charts from specific countries or the lyrics aren’t in English or it’s just the same songs like everywhere else. Then I thought about going back in time, but I have something special planned for next week already. I almost thought of giving up and doing a straight charts analysis, when I remembered something I had wanted to do already: music videos! So, today, I look at the German Singles Charts again, but only at the videos of songs I haven’t discussed already. There’s nothing like good random parameters.

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Miami Vice (2006)

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Miami Vice (2006)

(spoilers ahead!)

There is not that much to say about Miami Vice as a movie except that I found it pretty disappointing. I’m confused by the critical acclaim it got but then again, it seems like a movie that is more or less forgotten by now and that I understand. It’s a bit of a mess, a plot that’s hard to understand but in which also nothing really happens most of the time. The movie on the one hand appears so gritty and realistic but then on the other hand relies on big romantic love and sex scenes that totally feel out of place. I didn’t feel a lot for the characters either. I like both Colin Farrell and Jamie Foxx but they were so damn serious all the time that I found it hard to care about them. And why is Justin Theroux in this movie? He has about two lines of dialogue and his face is obscured most of the time. He could have been an extra and it wouldn’t have made a difference. The whole opening sequence was great, though, it felt like the movie was trying something different, there was an interesting mood going on and John Hawkes is just brilliant. But after his death (so after about 15 minutes) the movie quickly deteriorated into long talks between people who didn’t trust each other, dance scenes, racing boat scenes, container boat scenes, plane scenes and a confusing shoot-out finale. And one of the most pointless final shots I can remember. It’s hard not to compare this to Michael Mann’s Heat and not feel sad. (This article seems to explain why the movie is such a mess.)

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